November 27th, 2013
They have posted the video of our hour long plenary panel last month in San Diego at the meeting of the Coastal and Estuarine Research Federation. For the first five minutes you might think, “Anh, looks like your typical panel.” But by about 20 minutes in you’ll start to feel the novelty of what we put together. The two guys are great, but actually Gary‘s former grad student Nic Kinsman steals the show at 24:30. The feedback on this event was so wonderful that I wrote a letter about it that will be published next week in Science — stay tuned. And it’s all a tribute to Megan Bailiff who had the initial inspiration to “do something different.”
IT’S NEW, IT’S CERTAIN, AND IT’S GONNA BE EVERYWHERE, FOLKS. ”What are we going to do with the infrastructure that is left behind?” is what Mike Orbach asks. (“Make it into a dive attraction?” is one answer he offers.)
November 24th, 2013
Wow. Did you see CBS 48 Hours Mystery this past Saturday? It was the most fascinating case I’ve ever seen. And I think proof that the idea of “narrative profiling” is coming. More importantly, if the people of the climate world really think their “story” is the most important thing known to humanity, why don’t they seek the real world expertise of people like J. Lee Meihls? The answer is because they are too literal minded to get that creative (they stick to the ivory tower). But they should.
THIS WOMAN KNOWS STORYTELLING. You want insight into narrative dynamics in the real world — go talk to this person. She stole the show in the latest episode of “CBS 48 Hours Mysteries.” Amazing.
“NARRATIVE PROFILING” – IT’S COMING
This is just me swinging in the dark, but I think there is a new term coming sometime soon along the lines of, “Narrative Profiling.” What it means is a way to describe the way your brain perceives the world through narrative dynamics or storytelling. At one end of the spectrum are people who see the world as just isolated, cold, disconnected facts that don’t add up to much of anything. At the other end are conspiracists and even schizophrenics who see stories everywhere.
I saw this in my science career. Some people looked at a bunch of coral colonies and saw a bunch of coral colonies (“A rose is but a rose”). Others, like my good friend Dr. Jeremy Jackson, one of the greatest scientists I’ve ever known, looked at the same bunch of corals (along with his graduate student Terry Hughes) and saw “the story” of the entire population dynamics of clonal organisms, resulting in a major paper in Science in 1980 titled, ”Do Corals Lie About their Age?“ I remember other scientists being pissed at, “How did he take the same data we all have and get a paper in Science with it?” The answer is he has the brain of a storyteller.
Same deal for Malcolm Gladwell — and not coincidentally he’s getting pilloried over this trait these days – some people are getting tired of him seeing a story in everything (“sometimes a cigar is just a cigar”).
JURY SELECTION BY TV VIEWING
In part, what this 48 Hours episode was about is that some people’s brains lean towards viewing the world as non-stories where others don’t, which corresponds to a tendency to see innocence (no story) versus guilt (a story), all else equal. They had a jury consultant, J. Lee Meihls, who not only masterminded the jury selection for this case, but has done the same for the Michael Jackson and R. Kelly cases. She told of her system for analyzing people in terms of how they view basic story dynamics. Jurors who are fans of TV shows like “The Good Wife” are more likely to hold out longer on the innocence of the suspect. She says it’s a show where they are “openly confronting the fact that they’re often working for clients that they think look guilty and yet they give them the very best defense possible.”
At the other end of the spectrum are people who are fans of shows like “Criminal Minds” and “Blue Bloods.” ”If those were a juror’s favorite shows, they might be more prosecution oriented,” she says. This is the essence of “narrative profiling” — figuring out the direction your brian is biased.
DUMB AND DUMBER
Overall, it is an incredible episode of 48 Hours. It’s the story of a murdered young woman, and a “hit woman” who clearly committed the crime as her DNA was all over the crime scene (on the door knobs, on the t-shirt of the deceased, and even a finger print on a coffee cup with a drop of blood on the cup from the victim). Basically an air tight case. Provided you had a jury who thought the “Criminal Minds” way. But that wasn’t that case because Meihls had managed to influence the jury selection based on her criteria.
The verdict defies logic — they acquitted.
It was along the lines of the scene in “Dumb and Dumber” where the woman tells Jeff Daniels the odds of her dating him are one in a million, and that’s enough to make him happy, just knowing that there is a chance. Same deal with this murder case. The scenario presented by the defense had to be at the one in a million level, yet that was enough for the jury to acquit.
Two things came into play. First, the defense came up with a far-fetched, almost cockamamie idea that someone might have wiped down the murder scene with a towel that somehow 100% removed the DNA of the murderer, and then replaced it with the DNA of the hit woman whose DNA just happened to be on this towel. There was a super-long shot possibility that such a towel could have existed given that the victim and suspect had both visited the home of a man they both knew, 5 months earlier. But come on …
So basically one super longshot element after another. The DNA expert interviewed in the show couldn’t call the scenario “impossible,” but he came as close to saying that as possible.
Which meant the second thing needed by the defense was a jury that would go for such a longshot story. And that’s what happened. Like having a jury of conspiracy nuts — people willing to believe a sequence of highly improbable events strung together.
LAB VERSUS FIELD WORK IN NARRATIVE DYNAMICS
So I made one movie about anti-evolution nuts who are willing to string together a sequence of highly improbable elements as a means of refuting the entire body of knowledge of evolution. Then I made another movie about anti-climate nuts who are willing to string together a sequence of also highly improbable elements to dismiss the entire firmament of climate science. These things are all inter-related. And I don’t think the true understanding of them, at least for the short term, rests in neurophysiology (as cool as it can be at times).
To the contrary, it rests in the real world people who are gaining the real world experience, such as this jury selection expert. This is basically the difference between lab and field work. Neurophysiologists are doing elegant work in the lab, but it’s still the artificial world of the lab. It’s the people out doing the field work whose expertise needs to be sought. They are seeing the useful, practical patterns to help understand how large groups of people can buy into utter irrationality. Which means their knowledge should be sought out by the science crowd who are so baffled by these phenomena.
Starting with J. Lee Miehls.
November 21st, 2013
Video is a powerful tool with great potential for broad communication. But it’s not as simple as just gluing together a laundry list of facts. Sorry, but the IPCC just produced a video that is bo-ho-ho-ring.
WHO DO THEY THINK THEY ARE REACHING WITH THIS? If it’s the general public, they will have lost them by 3 minutes in. If it’s scientists … why? They already know this stuff. This thing could have been 90 seconds and powerful. Instead it’s 7 minutes, but feels like 70. Maybe the subject matter (the fate of humanity) just isn’t very important to them so they don’t care.
TO ERR IS HUMAN, TO BORE IS POTENTIALLY DANGEROUS (in this case)
What is wrong with the people at the IPCC? How can they be so clueless about broad communication? I’m not the first one to ask this question. In 2008 my good friend John Sterman at M.I.T. published a wonderful short paper in Science in which he told about having math and science graduate students at M.I.T. regurgitate the basic message of the executive summary of the 2007 IPCC report. More than half got it wrong, showing that what was supposedly geared to the general public wasn’t even understandable enough for brilliant graduate students.
In a similar mode, the IPCC has just released the above video. I gave it 3.5 minutes, then hit the “life is too short” point and quit.
Where to begin in trying to figure out where they go wrong …
As usual, at the core of the problem is the lack of good, tight narrative structure. But there’s more.
THE GORE BENCHMARK AND “ADVANCING THE NARRATIVE”
It’s time for everyone communicating about global warming to use the Al Gore movie, ”An Inconvenient Truth,” as your starting point. Anything presented in that movie you should assume that most of the public has now seen enough and move on from there.
This was the basic rule I used a couple weeks ago for our successful Sea Level Rise panel at CERF. In working with the two speakers, I ruled out all their “shocking” slides of future flooding scenarios. Gore already did that in his movie — he had southern Florida and Manhattan.
I did use images from the ”Drown Your Town“ website for comic value, and Mike Orbach had the one futuristic piece of artwork of massively flooded Manhattan as part of his final summary. But we skipped the parts in the middle where you show the basic scenarios of projected flooded regions and the audience gasps on cue because they are expected to do so. Those images are no longer shocking. THE NARRATIVE HAS MOVED ON.
The key factor is the need to “advance the narrative.” This is what narrative training instills in you — the feeling of, “okay, we already hit that note plenty, let’s move on.” I don’t think the makers of this IPCC video have “advancing the narrative” in their training yet. They should. Move it on, folks, you’re boring us.
When Mike told me about the idea of sea level rise eventually reaching up to 100 miles inland by altering water tables causing groundwater contamination — THAT was when I came to life — THAT is an aspect of advancing the narrative — that is a factoid that wasn’t in the Gore movie and I think is likely to be new to most people, as well as fairly head turning.
That’s what it’s about — tell us something we haven’t already heard a thousand times, and do it with some new imagery.
Global warming is the most boring subject ever confronted by humanity. I firmly believe this. I was quoted saying it in 2010. Which doesn’t mean global warming should be ignored. To the contrary. It means it should be respected for how difficult it is to communicate, and the shear and utter intrinsic boringness of it should be accepted as the starting point — not ignored. Just because it is eventually life threatening does not make it interesting by definition. It just ain’t that easy.
Anyhow, I was just interviewed about this by a magazine that asked me 10 questions about why I think this. The article should be out in the next week or so. I think it’s going to annoy a lot of the climate crowd (as usual). Ho hum.
November 13th, 2013
I’m tellin’ ya, it’s deep. The Logline Maker is like a looking glass. Download our CONNECTION STORYMAKER and embrace the complexity that resides in such a simple device.
THE MASTER OF ELEMENT #2. Wanna learn about the power of the Logline Maker — just listen to virtually any routine from Louis C.K. He lives his life running himself down — wanting you to know endlessly that he is a FLAWED protagonist (Element #2 of the Logline Maker). Just look at the first 5 quotes from him (and really pretty much ALL of them) in this list of 55 quotes. Just about every time he opens his mouth he is saying, “I am SO flawed.” And guess what, people love him. Not a coincidence. It’s #2 at work. Yes, the Logline Maker really is that powerful. It is the crystal ball of communication.
SIMPLE AND BROAD VERSUS COMPLEX AND DEEP
You want simple — we give you the ABT.
You want the infinite complexity of the human condition — we give you the Logline Maker.
For the ABT, look at this quote from one of the organizers of last week’s CERF meeting in San Diego where I presented the ABT to 1,000 people in our plenary panel: “The plenary also had a lasting effect as several speakers later in the week added an ABT statement to their talks and they were littered throughout conversations during the social events. I have even had two ABT e-mails since the conference.”
So there’s your simple, instant, “I get it,” broad communication tool. People learn the ABT in less than a minute and it has the power to be “transformative.” But it’s not like the Logline Maker.
The Logline Maker is the whole shootin’ match. It is the entire cosmos in a single template. I’m increasingly thinking that no human is able to fully “grok” the true essence of the Logline Maker. Yes, it is that powerful. Just look where it came from — Joseph Campbell and George Lucas. Could it get any more profound than that in today’s world?
We knew this as we wrote our new book Connection, but we’re getting to know it even more deeply each week with what we’re doing this fall. As far as we can tell, no one has ever assembled this sort of partnership of these two templates — the ABT and the Logline Maker. It’s not surprising we’re hitting these weekly revelations.
THE LOGLINE MAKER IS NOT FOR CHILDREN … EXCEPT THAT IT ACTUALLY IS
Remember how Luke Skywalker had to learn patience in order to master “the force.” The Logline Maker is “the force” when it comes to broad communication. Joseph Campbell knew this. George Lucas figured it out from him. Now we’re slowly figuring out how to use it in teaching these core elements of broad communication.
So the first thing we’ve come to realize is that anybody who just tosses out the elements of “The Hero’s Journey” without a great deal of delicate, cautious, thoughtful preparation for their students or workshop participants is basically doing the same as something like handing out iPhones to toddlers. That’s not to say that toddlers can’t pick up an iPhone and have fun and do a few useful things. But seriously … think about it. It’s the same deal.
The Logline Maker is incredibly simple on the surface, but inside is as complex as an iPhone. More importantly, it needs to be presented slowly, thoughtfully, and probably with some baby steps first, such as the ABT.
THE POWER OF THE FLAW
So that’s enough wonderment for today. You’re going to hear lots more as I continue this journey. But for now, here’s the revelation du jour: why do you think self-deprecation is such a good thing for a speaker? The answer is #2.
The second element in the Logline Maker is the “FLAWED protagonist.” People love, love, love to hear stories about heros who have flaws. So that’s what is going on as Louis C.K. is explaining to you over and over and over again about what a dumbass he is. There might as well be a little flag over his head with a #2 on it and a bell going off each time he does it.
It’s not just a quirky little thing that people love their protagonists to be flawed. It is fundamental. And takes a lot of absorbing to really grasp. And then you match that fondness up with the fact that science expects scientists to 100% flawless in the doing of science, you begin to see a possible communications disconnect.
How’s that for flawed reasoning (but then wait, does that mean likeable reasoning)?
November 11th, 2013
Last week Skepticality, the podcast for Skeptic Magazine, posted the lengthy discussion Dorie, Brian and I had with host, Derek Colonduno. In it we talk about “simple storytelling,” Greg the Gardener, and Dorie tells a classic story about her audition in her parents basement that landed her a part in Bobcat Goldthwaite’s “God Bless America.”
This was my fourth time doing a podcast with Skepticality. Starting in 2006 I did one for Flock of Dodos, then Sizzle, then Don’t Be Such a Scientist. But this one is the best because it features a really funny guy (Brian) and a lovely actress (Dorie).
The best part is the very end when Derek makes the comparison of simple communication to chess. Yes! That’s it. Bingo. It’s a fun discussion.
November 6th, 2013
Take two already-gifted speakers, add a guy with a new book on narrative structure, turn up the heat with an important topic like sea level rise, throw in 6 weeks of planning effort and conference calls, then put them in front of 1,000 people and you’ve got an event that works. All of which is a tribute to the brave vision of Megan Baliff, the organizer who came up with a crazy idea this past summer. A crazy idea that worked.
THESE GUYS ARE GOOD. That’s Mike Orbach of Duke University on the left, Gary Griggs of U.C. Santa Cruz on the right. Together they turned in a great performance yesterday in our plenary panel at the Coastal and Estuarine Research Federation meeting in San Diego. Gary presented the SCIENCE, Mike provided the HUMAN PERSPECTIVE on how we will be impacted in the future. (btw, those are shadows on my shirt — though it looks like sweat, which wouldn’t have been a surprise)
I QUIT, NOW LET’S PUT ON A GREAT PANEL
That’s how it all started. My friend Megan Baliff contacted me in June asking me to be part of a “plenary panel” at CERF 2013 saying, “you’ll get to talk about your communications stuff in front of 1,000 people.” I was busy but thought why not and said sure.
But then in mid-September I looked at the website for the meeting and found out what I’d gotten myself into — a panel on “sea level rise” — something I know zippo about. I called up Megan, a little grouchy, asking what the hell she had gotten me into. She said, “No, no, no, this is exactly what we have in mind — we want you to bring “the Randy Olson storytelling thing.”
To make a very complicated story short, she assured me the two other panelists were wildly enthusiastic about the idea of me overturning their standard presentations and forcing them to do something they had never done before. She was wrong, they were definitely not psyched (can’t blame ‘em), I sensed the whole thing would be too much work and too painful, so by early October I simply quit.
But while I was on the phone with Megan, handing in my resignation and she was gracefully accepting it, honest to goodness, an email from one of the two guys popped up and it said they had discussed my crazy ideas, agreed they had both given enough successful presentations in their careers, they could afford one horribly embarrassing debacle, so they were ready to give it a shot. Amazing timing. The whole thing came that close to never happening.
COMMUNICATING THE FUTURE. Sea level rise is “NEW” (after 8000 years of stability, the past 150 years now shows accelerating rising levels), “CERTAIN” (it’s gonna happen — nothing we can do now is going to stop it), and “EVERYWHERE” (not just the middle of the Pacific — it’s going to hit places considerably inland, even impacting groundwater dynamics in some inland areas).
YOU GET BACK WHAT YOU INVEST
So here’s the sad and simple truth of communication. EVERYONE dreams of doing it well, but almost nobody wants to put in the time and resources needed. That’s pretty much the truth of it all. Institutions run communications workshops thinking, “we’ll give this communications stuff a day then everyone will be all set for eternity.” I swear, they really do. But it doesn’t work that way. It takes time and long term commitment. This is why we’re going with the term, “Narrative Training” to refer to what we are now advocating with our Connection Storymaking workshops.
If you value effective communication, you have to INVEST in it. We certainly did for this event. We had an initial, obligatory conference call. I had to push the guys for a second one. But by the third week they began to realize we were concocting something challenging. That’s when the tide shifted. THEY began pushing ME to have more communication. I stopped having to push them. They started turning up the heat — saying look, if you’re going to throw us out in front of 1,000 people, we’d better get this thing smoothed out.
But from the start it was destined for success because the two guys had so much material to draw from, plus they have such good communications instincts to begin with. The only thing they could use some help with, as is the case with absolutely EVERYONE in the ENTIRE WORLD, was narrative structure.
This is why Hollywood movies are made by TEAMS of people. Not just one scientist sitting alone in his office organizing his slides. You HAVE to collaborate if you want to make the good stuff.
IF YOU CAN’T GIVE ME THE ONE WORD, I’LL SETTLE FOR THE THREE WORDS
It started with me asking the guys my standard question of, “What is the ONE WORD that encapsulates this ENTIRE subject of sea level rise” I pushed and pushed them. But they pushed back. They couldn’t find any “one word.” However, they did finally settle on three words. I said, “Close enough,” and those words turned into the title for the session — new, certain and everywhere. Which ended up sounding like the title of a book — like “Guns, Germs and Steel,” or “Hot, Flat and Crowded.”
From there the rest was a breeze. Once we had our three topics, it was just a matter of shaping their material into a solid template of, “1 – Perception, 2 – Reality, 3 – Communication, 4 – Humor.” For each of the three “stories” I helped them structure their material around this pattern, then we got on stage and they delivered the final ingredient — the performance. Gary came through with a lot of humor, Mike brought to bear his commanding oratorical presence, finishing the session with his list of four solemn recommendations on how we must start getting ready for sea level rise.
It really was a tremendous event. I was just the host of the party. The two guys were the life of the party. Overall, it was a whole bunch of fun. And there was one more element which was our “crowd contributions.” Using the ABT template we had contributions from people around the country — from Alaska to California to Florida — including an amazing spontaneous performance from Nic Kinsman (a former student of Gary) talking about sea level rise problems in Alaskan coastal villages.
And on the humor front, I interviewed Andrew David Thaler last week about his hilarious, “Drown Your Town” feature. He sent me some great samples to share with the crowd (thanks Jackie Yeary for initially telling me about his website) including the fact that of the first 1,000 people asking him to “drown towns” a third wanted to see Washington D.C. underwater because of the shutdown, plus they asked him to make the water brown.
WE DON’T NEED MORE SCIENCE, WE NEED GREAT COMMUNICATION LIKE THIS
When we finished, the first person for the Q&A was a young woman who stepped up to the microphone, literally turned her back on us, then spoke to the entire crowd of a thousand. She said basically, “I know some of you may find this offensive, but we don’t need more science — what we need is effective communication like this.” It was such a wonderful and powerful endorsement that Gary asked me later if I had hired her — I had not (and by the way, the last time the first speaker in a Q&A turned their back on me it was the guy at Syracuse who told the 250 people in the audience, “This guy’s book is great, but this talk of his sucked” — but that’s a different story).
It was a very gratifying experience. Mike, Gary and I went to dinner the evening before and kind of braced ourselves for the big experiment. No one felt certain the thing would work. But you know what, there’s a kind of excitement that comes from taking chances like that. Both of them absolved me of potential guilt — saying that even if it ended up as a mess, they were excited to just be trying something different.
And in the end, all I can emphasize again is how much effort it took. There was very enthusiastic applause at the end and a whole crowd of people came up to the stage to rave about how much they enjoyed it. One of the organizers said he had taken part in probably two hundred panels over the years, but this one was the very best. Which was great. But let me just make it abundantly clear. I don’t think any of the three of us have put that much effort into a public presentation, ever before. I know I haven’t (and btw, back when I was a scientist I was notorious for, “organizing my slides on the plane”).
So just ask yourself — how important is communication? That’s the bottom line.
PLENARY PANEL: THE HOME MAKEOVER EDITION
Here’s the “Before and After” of the event description on the CERF website over the past month — the initial description of the event before I was recruited, then the “makeover” the three of us gave it — adding “narrative structure” to the content. This is the exact goal of our new book, Connection: Hollywood Storytelling meets Critical Thinking – which by the way, Dorie, Brian and I discuss in detail in this great podcast with Skeptic Magazine that they posted yesterday.
November 1st, 2013
I spent 20 years searching Hollywood for them. Seriously. They are the best.
BRIAN PALERMO AND DORIE BARTON: She’s story, he’s improv.
DOIN’ THE CONNECTION HUSTLE
Dorie and I had a busy week in D.C. doing 4 talks in 3 days at AAAS, an EPA conference on their Children’s Environmental Health Centers, National Academy of Sciences, and then we ran a mini-version of our workshop at the Union of Concerned Scientists. In the meanwhile, Brian (who, like Dorie, is constantly either auditioning or performing in TV shows and movies) did an hour long appearance on a radio talk show on LA Talk Radio.
He does SUCH a good job as our spokesman. I’ve known all along the guy is an amazing listener, but when I hear him regurgitating back things that Dorie and I present in the workshop I’m stunned — at times thinking, “I didn’t even know he was in the room for that.” Granted, he gets his philosophers a little mixed up (Kant and Heidigger versus Hegel), but then I gave Hegel the wrong first name in one of my talks in DC so nobody’s perfect.
Since moving to LA 20 years ago I literally have met and worked with hundreds of actors. All the while I was looking for the few who actually have a curiosity about the world — enough to make them take an interest in my long term journey of exploring communication. These two turned out to be the best, and continue to get better.
We have now done 8 workshops together. Each one builds on the last. One of the wildest things is watching Dorie and Brian change their perspective on the science world. Three years ago they didn’t even know how to make a Powerpoint slide or what “hooey” was (the acronym for Woods Hold Oceanographic Instititute, WHOI, pronounced hooey). Now Dorie knows words like, “stoichiometry,” and Brian routinely talks about ocean acidification and invasive species.
NEXT TUESDAY’S PLENARY PANEL ON SEA LEVEL RISE AT CERF
Next stop is next Tuesday morning, November 5, in San Diego at the CERF (Coastal and Estuarine Research Federation) meeting where I will be moderating this panel titled, “SEA LEVEL RISE: New, Certain and Everywhere,” with senior statesmen Gary Griggs (coastal geologist at UC Santa Cruz) and Mike Orbach (coastal policy professor at Duke University). We’ve spent the past month working diligently on the event — bringing a very cool narrative structure to it, unlike anything I’ve done before. It will definitely be interesting and will provide a good overall snapshot of this issue of sea level rise today.
October 24th, 2013
People love their own stories of overcoming adversity. I have one myself I’ve always clung to.
THE STORY OF YOUR LIFE. This is a great segment of This American Life which everyone can relate to. It’s about your own personal story you tell people that makes them think it’s a miracle you ever achieved anything in life.
THIS IS MY STORY AND I’M STICKING TO IT (EVEN IF PROVEN WRONG)
Yesterday, Erika Mudrak at Cornell tweeted me a GREAT story in relation to yesterday’s Gladwell-Campbell essay here. Malcolm Gladwell had said he was amazed at the tales of overcoming adversity he heard from so many superstar achievers. My point was that “the Hero’s Journey” as identified by Joseph Campbell says that’s exactly what you’d expect. People like their heroes to have flaws — adversity is a variation on the flaw.
So Erika called my attention to an episode last month on “This American Life” with Ira Glass which is WONDERFUL! I don’t want to spoil it for you — you really should find the 40 minutes to listen to it. But its the same basic phenomenon — people develop their own hero stories that they are very personally bonded to.
I have mine: I got so many D’s and F’s in high school that in the fall of my senior year they sent a letter to my parents saying I wouldn’t be able to graduate the next spring. My amazing mother went down there and conned them into letting me graduate. I saved the letter and used to have it hanging next to my letter of acceptance to Harvard 4 years later to do a Ph.D.
Always a great story, and if anyone ever came along and tried to disprove it — even if they had the sworn testimony that no such high school letter was ever sent — I probably wouldn’t change the story. Which is the same as the This American Life segment. Pretty funny.
GET YER RED HOT FREE APP!
In preparation for our busy week in DC next week meeting with AAAS, EPA, NAS, UCS, ABC, WTF, LOL and a bunch of other acronimiums we’re making the app free today and tomorrow for iPhones and iPads here. So SPREAD THE WORD among your institution or organization – send out mass emails, tell everyone it’s FREE — people love free stuff!
October 23rd, 2013
The currently somewhat-embattled Malcolm Gladwell (lotta sniping around his newest book) was on The Daily Show last night. You could sense Jon Stewart radiating a bit of skepticism. And the fact is, Gladwell’s theme for this one — that he was “struck” by how many successful people succeeded because of being disadvantaged in some way — is just an extension of what Joseph Campbell identified long ago — that you would expect successful people to tell their stories from the perspective of the disadvantaged or flawed hero (also known as Element #2 in our Connection Storymaker app).
SOME BOOKS ARE BETTER THAN OTHERS. If Gladwell had studied his Joseph Campbell he might not have been as “struck” by the success stories of world leaders.
THE (BAD REVIEW) TIPPING POINT
I’m a huge, life long fan of Malcolm Gladwell, but by now most people have figured out he’s not perfect with his essays. For example, he opined in the New Yorker that, “The Revolution Will Not Be Tweeted,” just a few months before the Arab Spring revolutions were tweeted like wild. Roops.
As a long time fan, I think his book, “Blink,” is one of the most powerful and profound communication essays of modern times, even if it feels like only the start of a major work. He’s great.
So he was on The Daily Show and clearly Jon Stewart didn’t want to eviscerate such a popular guest, but you could tell he could have if he’d wanted to. You can feel it with this exchange, where he’s sort of asking, “Isn’t this whole book about something we already pretty much know?”
JS: Don’t we all have, to some extent, disadvantages that shape our character, as we go through, and it is the tenacity with which you overcome them no matter what that would be …
MG: I got started on this book because in my last book, “Outliers,” I was spending a lot of time talking to very successful people and I was always struck by how often when they accounted for what they had achieved, they began with the difficulties, not with the obvious advantages.
Hmmm … “difficulties” … that sounds a lot like “flaws” … where have I been hearing that term a lot lately …
THE HERO’S APP
Dorie Barton and I are living and breathing “The Hero’s Journey” these days with the release and implementation of our Connection Storymaker app. Last week week did our first full workshop with it at the Monterey Bay Aquarium. Next week we’ll be demo-ing it in Washington D.C. at an EPA conference on Child Heathcare Centers (where I’m giving a keynote), in a workshop at Union of Concerned Scientists, and at AAAS and NAS.
At the core of the app — it’s most intricate and intriguing element — is Dorie’s 9 element template for Joseph Campbell’s “Hero’s Journey.” Element number 2 is “the flawed protagonist,” with Element number 7 being, “the lesson learned,” which usually relates to the flaw. It’s a sort of problem-solution combination.
What this tells you is that audiences enjoy the story of a hero overcoming a flaw … or disadvantage. Which means if Gladwell were up on his Campbell, he wouldn’t be “always struck by how often when they accounted for what they had achieved, they began with the difficulties.” All Joseph Campbell would have said to that pattern would be, “yep, just as the monomyth predicts.”
More to the point, how did he expect them to tell their life stories, “I was raised with a life of privilege AND I never had any serious challenges AND I succeeded.” The Hero’s Journey predicts that even a rich kid will point to his ADHD as a monumental life challenge in the making of a good story. And we’ll go with it, preferring to hear a good story.
But Gladwell, ever the storytelling opportunist, saw publishing gold in his not-so-novel observation, and now has to endure the skepticism that comes from the brilliant minds of people like Jon Stewart. Though he should be thankful he’s not Katherine Sebelius who got the roasting of a lifetime last week in her Daily Show interview. Yeeks!
October 21st, 2013
Great movie. Saw it last night. If you doubted Dorie’s line at the start of our book, “It’s all the same story,” pull out your Connection Storymaker app after seeing the movie and you can verify what she says. Among other things, “Gravity” is pretty much the story of “Popeye.”
THE BULLOCK’S JOURNEY. The wonderful new movie, “Gravity” is a textbook demonstration of the Hero’s Journey. Download our Connection Storymaker app, open up the PARAGRAPH section and you’ll be able to spot all 9 elements in the movie.
CONFESSIONS OF A FORMER LOGLINE SKEPTIC
It was only a little more than a year ago that Dorie brought the Logline Maker into our workshop as I was grumbling, “yeah, right, we’ll see about it.” I was skeptical. It sounded too “Hollywood” with the terms protagonist, hero and antagonist. But it’s been an amazing year of workshops and I’m a different person.
So I saw “Gravity” last night. Thoroughly enjoyed it. But … sure enough, I felt myself thinking, “oh, my goodness — there it is — the flawed protagonist.” And then a while later, “oh, my goodness — there it is — the lesson learned, and now the tide is shifting and the hero is finally …”
Yes, it is that simple. The movie has a relatively simple story, yet in classic fashion, you can find enormous complexity in it.
And does the Hero’s Journey really work for “Gravity”? Um, gee, let’s see … 97% positive reviews on Rotten Tomatoes and #1 at the box office with $43 million. Yeah, I think maybe there’s something to this Joseph Campbell stuff.
LOGLINE IT YOURSELF
Go ahead. Do it. You know you want to. Download the app then see if you can spot all 9 elements of “the Logline” (which is the PARAGRAPH function) in the movie. It’s a fun game to play. Then write your own story with the app!
THE POWER OF SIMPLE
And lastly, I end our book by talking about simplicity as “the ultimate sophistication.” You want to see that in action, just watch “Gravity.” There’s pretty much only two actors. Is that the definition of simplicity or what?
More importantly, the core of the story was pretty simple. You don’t leave the theater feeling like, “Wow, I need a few hours to digest this thing.” You leave feeling very satisfied, like, “I Got it.” And you think you’re done with the process. But because it’s so easily absorbed, you later find your mind drifting back to the movie and pulling new things out of it.
Out of simplicity arises complexity. The makers of this movie knew this very well.