February 19th, 2015
Ever been part of a discussion where everything suddenly turns negative as the group rips up every good idea, plowing the whole thing into the ground? I’ve seen a few. Related to this, I heard a wonderful comment last week from a scientist about the impact of our improv training on their organization.
HAVE YOU EVER … been part of a discussion that turned negative and ended up like this? Wouldn’t it be nice if there were a way to pull out of such a negation nose dive?
Happens every day, in conference rooms around the world. It’s not just a science thing — but the negation/falsification process of science can make it worse.
Sometimes it feels really good as you watch a flimsy idea get taken to pieces through tough, incisive questioning that has at the core of it the premise that everything presented is wrong until shown to be otherwise. It’s what science is based upon — a process of falsification — testing ideas to see if they can be falsified until you finally have subjected them to so much rigor and they haven’t failed that you can conclude you have something robust. It’s great when it works that way.
But it comes with a potential down side, which is the tailspin of unrestrained negation, obliterating everything that might have been salvaged as worthwhile.
SOLUTION: CHANGING THE COURSE OF DISCUSSIONS
A little over two years ago we ran our Connection Storymaker Workshop with the folks at National Park Service headquarters in Ft. Collins, Colorado. We had two groups of about twenty people each. It felt like a successful experience, but I never believe anything I do really works until someone gives me some proof (me to self: “Don’t be SUCH a scientist!!!”). Which is what happened last week.
I had a long phone call with one of our hosts. He said, “You wouldn’t believe how many times in discussions, since that training, we have brought up the basic, ‘Yes, and …’ approach you taught us in the workshop. There have been multiple instances when everyone is headed in a negative direction, then someone says, “Let’s remember the ‘Yes, and …’ thing,'” and the discussion reverses almost immediately.”
That warmed my heart sooo much. It had never dawned on me — that application of improv. We always present it as a tool for enhancing creativity, making you more human and alive, getting you out of your head … but I’ve never thought to talk about it as an emergency maneuver for a negation nose dive.
Yes, and … I think I’ll be including that attribute of improv in the future when I talk about it. I can’t say enough good things about the training, and Brian Palermo (who will be doing improv next week at the ASLO meeting in Spain).
February 10th, 2015
February 2nd, 2015
After my panel last week with Derek Muller at the North American Carbon Program meeting in DC a few people noted how Derek and his video on climate boredom point to the subject of climate as inherently boring whereas I point to the communicators themselves as doing an inadequate job. Let’s take a closer look at this divide.
IS CLIMATE INHERENTLY BORING? I have a feeling this delegate from Iran to the recent climate change conference in Peru would say so.
DEREK: IT’S THE MATERIAL
Derek Muller produces awesome videos on his Youtube Channel Veritasium. In our panel he showed his video, “Climate Change is Boring.” Towards the end of the video he says, “The real reason I find climate change boring is because we know what the problem is — the science is well established and the solutions are fairly obvious, and yet action is not being taken.”
I love the video, but I don’t agree with his premise that climate is somehow intrinsically boring and thus a hopelessly difficult subject to communicate. I think there’s plenty of reason for hope that some day someone will produce a film about global warming that involves such excellent storytelling that generations will want to watch and rewatch it as much as “The Wizard of Oz.” Here’s how that could happen.
ME: IT’S THE MOZART (A HUGELY CREATIVE EYE IS NEEDED)
I love innovation and creativity. I pretty much live for it. And I know it requires less literal thinking.
A great case study of the power of innovation and creativity is what happened with the life story of Mozart in the movies. It’s a good parable for this climate boredom problem.
Similar to the subject of climate, for decades in Hollywood the subject of Mozart was seen as too boring to be the focus of an entire movie — there just wasn’t a good story. People figured he was such a genius, there must be a good story. But there wasn’t. There was only the “and, and, and” elements of a good resume: Mozart was a child prodigy AND he was a teen prodigy AND in his twenties he continued to be a genius AND by the time of his death at just 35 he was … still pretty much of a genius.
You could make a movie of all that, and the Mozart fans would probably love it as they got to hear their favorite music and coo over how amazing he was. But that’s not great storytelling. That’s a journey from Point A to Point A. And as a result, no one was able to make a memorable movie about Mozart. All the way up until 1984.
THE NON-LITERAL ROAD LESS TRAVELED
Finally a brilliant playwright named Peter Shaffer cracked the nut. Instead of telling the one dimensional story of Mozart the genius, he took a less literal, more creative approach to the material. He discovered this other character — Salieri — a man whose life story was indeed an interesting journey. Salieri began life thinking he was a peer to Mozart, but by the end of his life was forced to accept that he was a mere mortal, not made of the same stock as Mozart the genius, and thus ended his life a bitter and jealous man, filled with the sort of human frailties that interest audiences.
The play was turned into the movie “Amadeus,” which is #53 on the AFI List of 100 Greatest Movies. It’s one of my all-time favorite movies. And it should be an inspiration to people wanting to communicate about climate in a way that will stick with people many years later.
The fact is, it would have been easy in 1980 to say, “Face it, Mozart is boring, you’ll never manage to interest people in him.” But after the movie came out no one would have called Mozart boring.
THE SCIENCE COMMUNICATION HIPPOCRATIC OATH: “First, Do No Boredom”
I have said before, science communicators should almost take a sort of Hippocratic Oath swearing that there is no such thing as a boring subject, only inadequate communicators.
It’s the truth. Just watch HBO’s Real Sports with Bryant Gumbel. They manage to take the most trivial and unknown of sports events and tell fascinating stories set in those worlds because they have the ability to spot an interesting story when it comes along.
Perhaps some day the climate communication people, with all their good intentions, will develop this ability. But for now all they seem capable of is telling endless preachy “and, and, and” pieces that simply make things worse. And make it easy to feel like the subject of climate is inherently boring.
Some day someone will crack the climate communication nut as well as Peter Shaffer did for Mozart. And it will be great. And transformative as overnight people suddenly think climate is interesting. I will happen eventually, I’m sure of it. But until then, all I see is a dire shortage of creativity.
And if you want to see the consequences of the one dimensional, “and, and, and” approach all you have to do is watch the recent movie, “Unbroken.” The book was tremendous, but what Angelina Jolie did was sad and inept. She made a movie that was exactly the sort of one dimensional “and, and, and” piece that I’m bemoaning here. Her movie ended up being a series of episodes of Louis Zamperini overcoming one challenge after another. No arc, no complexity, no inner journey. Just a resume of accomplishments.
The Motion Picture Academy actually regained some of my respect by announcing only 8 nominations for the potential 10 Best Picture slots this year. Universal Studios spent all last year saying “Unbroken” would be a guaranteed nominee. Not only did it not get a nod, it’s doubly painful because it wasn’t like there too many nominees this year. There weren’t. The Academy basically said, “We’ve got space for your movie, but it’s just not very good.”
“Unbroken” ended up with around 50% on Rotten Tomatoes, but even most of the favorable reviews really weren’t that favorable. Angelina has learned the hard way there is more to storytelling than just listing facts. Telling good stories is hard, but absolutely essential to break out of the core demographic of followers.